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Please contact us with your needs and we will do our best to find the right instrument for you. 
Violin by Vincenzo Sannino, Naples, 1913. Typical Gagliano copy with dark brown varnish and Northern Italian wood. A great opportunity to own a modern Italian violin by a known maker at an excellent price. Certificate by Claude Labett. CM#20793
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Violin by Franko Samoggia, Bologna 1981. Pupil of Otello Bignami. Big, warm, dark sound. Looks and sounds very much like a good Stefano Scarampella. CM#21201
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Violin by David Carón, #162, Taos, NM, 2002. The back is two pieces of maple that is a highly flamed Bosnian maple with matching sides and scroll. The top is of the maker’s typical Engelmann spruce. It has a very clear, powerful, tone with lots of color. CM# 21067
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on the thumbnails for a larger picture.
Violin by Enzo Barbieri, Mantua Italy, 1978. This fine violin is exceedingly well made and the tone is silky and sonorous. This Stradivari model is a typical example of the maker's work. It has a beautiful, highly flamed, maple one-piece back with matching sides and scroll. It is in mint condition and possesses a rich orange red-brown varnish over a golden base.CM#20281
Violin by Michele Gagnon, Montreal, 2002. Amati-inspired personal model, excellent condition. CM#21123
Violin by Alfeo Battelli, Florence, 1967. Pupil of Valentino de Zorzi. Very fine maker and restorer. This instrument is in new condition, with the quality and power well suited for a professional player. CM#21400.
Violin by David J. Caron, Taos, 1987, #82. Used with great success for the past 15 years by a fine professional player in Europe, it is back with us and being offered at a very competitive price. CM#21147.
Violin by David J. Caron, Dallas, 1971 #18. Fine early example of David’s work shortly before he began making instruments full time. Perfect condition. CM#21245.
Violin by Jack Barton, Crestone, Colorado 2003. Beautifully made, Guarnerius del Gesu inspired model, excellent oil varnish. CM#21753.
Violin by Enzo Barbieri, Mantua, 1978. Mint condition late example of this maker's work. Stunning, highly flamed maple on the back and sides, excellent reddish-orange oil varnish. CM#20281.
Violin by Victor Velazquez, Medford, Massachuetts, 2011. Trained and worked for many years in Cremona, and now working in the US, this maker is highly skilled and produces instruments worthy of any player. CM#21758.
Violin by Richard Oppelt, New York, 1980. Excellent and well played in example by this fine American maker. CM#21756.
Violin by David J. Caron, Dallas, 1979, #51. Professionally owned and used by a concertmaster in a first tier regional orchestra. Rich, dark red-brown oil varnish, highly flamed back and sides. Powerful, clear tone, with plenty of color. CM#21199.
Modern Violins and Violas by Walter Mahr Mahr's violins and violas have a sweet
and powerful tone. His tonal investigations are evident in every
example of his work. (Charles Magby offers a substantial
collection of fine cellos, violins and violas in various grades made by
Mahr.) Violins are modeled after the work
of Guarneri and Stradivari in a wide range of qualities. He
makes superior instruments for student players with a well-grained, solid
maple back, pine wood top and ebony fittings... up to superbly made masterpieces
with marvelously textured maple. Mahr's select tonal wood is carefully
seasoned up to 50 years. Mahr can vary the mixture of his oil and spirit
varnish according to the desired tonal properties required by a player. Walter Mahr's grandfather was a mandolin-maker in Schonback. In addition, his great grandfather was a violin maker. Walter Mahr worked with master craftsman Ernst Heinrich Roth, the cello maker Lothar Semmlinger and with Roderich Paesold.
SOLD: Violin by David Carón, #51, Taos, NM, 1979. Beautiful example of this highly regarded American maker. Nicely flamed back and sides, beautiful red-brown varnish. Pure, powerful carrying tone. CM# 21199
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on the thumbnails for a larger picture.
SOLD: Violin by Ame'de' Dieudonne', Mirecourt France, 1948. This is a representative example of the maker's work in mint condition. This violin was made for Rembert Wurlitzer. CM#20744 SOLD: Violin by Benvenuto Botturi, Brescia Italy, 1970. This is a classic example of the maker's work. CM#20783 SOLD: Violin by Michael Carón, Taos, NM, 1997. This instrument is a very fine violin with power and clarity. It was constructed under the direction of master-maker, David Carón (father). CM#20619 SOLD: Violin by Sandra Carón, Taos, NM, 1998. This violin is breathtaking. It was constructed under the direction of master-maker, David Carón (father). Please view the picture below. CM#20773 SOLD: Violin by David Caron, #118, Taos, NM, 1994. The back is two pieces of maple that is a highly flamed Bosnian maple with matching sides and scroll. The top is of the maker’s typical Engelmann spruce. It has a very clear, powerful, tone with lots of color. CM#20388 SOLD: Violin by Moinel-Cherpitel, Paris France, 1914. This violin is in first-rate condition. It has a two-piece back, delightfully flamed, with matching sides and scroll. The varnish is a dark orange-brown. CM#20805 SOLD: Violin by Enzo Bertelli, Verona, made in 1950. This violin has a beautifully flamed back and sides, with a golden orange-brown varnish throughout. Condition is excellent.
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